The Odyssey<\/a>” ile artmas\u0131 \u00f6ng\u00f6r\u00fcl\u00fcyor.<\/p>\nTroya Antik Kenti Kaz\u0131 Heyeti Ba\u015fkan\u0131 Prof. Dr. R\u00fcstem Aslan, mitolojik aksiyon t\u00fcr\u00fcndeki filmin Truva Sava\u015f\u0131’n\u0131n ard\u0131ndan \u0130thaka Kral\u0131 Odysseus’un \u00fclkesine d\u00f6n\u00fc\u015f yolculu\u011funu konu ald\u0131\u011f\u0131n\u0131 belirterek, filmin Troya Antik Kenti’nin ve b\u00f6lgenin tan\u0131t\u0131m\u0131na b\u00fcy\u00fck destek sa\u011flayaca\u011f\u0131n\u0131 s\u00f6yledi.<\/p>\n
\u00a0<\/p>\n
K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131 ile \u0130talya K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131n\u0131n i\u015fbirli\u011fiyle haziran ay\u0131nda Roma’daki Kolezyum’da a\u00e7\u0131lan Troya Sergisi’nin uluslararas\u0131 ilgiyi art\u0131rd\u0131\u011f\u0131n\u0131 belirten Aslan, bu ilginin Christopher Nolan’\u0131n yeni filmiyle daha da g\u00fc\u00e7lendi\u011fini dile getirdi.<\/p>\n
Aslan, Roma’da a\u00e7\u0131lan serginin son y\u0131llar\u0131n en kapsaml\u0131 Troya sergilerinden biri oldu\u011funu kaydederek, Troya ile ba\u011flant\u0131l\u0131 Anadolu uygarl\u0131klar\u0131na ait eserlerin de sergide yer ald\u0131\u011f\u0131n\u0131, bunun uzun vadede b\u00f6lge turizmine katk\u0131 sa\u011flayaca\u011f\u0131n\u0131 kaydetti.<\/p>\n
\u00a0<\/p>\n
Daha \u00f6nce Wolfgang Petersen’in y\u00f6netti\u011fi 2004 yap\u0131m\u0131 “Troy” filminin de Troya’ya ilgiyi art\u0131rd\u0131\u011f\u0131n\u0131 hat\u0131rlatan Aslan, “Hi\u00e7 ku\u015fkusuz bu filmin de Troya turizmine, Troya ilgisine b\u00fcy\u00fck katk\u0131s\u0131 olaca\u011f\u0131n\u0131 s\u00f6yleyebiliriz” dedi.<\/p>\n
\u00a0<\/p>\n
Aslan, filmi \u00c7anakkale’deki \u00f6zel g\u00f6sterimde izledi\u011fini belirterek, Homeros destan\u0131na b\u00fcy\u00fck \u00f6l\u00e7\u00fcde ba\u011fl\u0131 kalan Nolan’\u0131n Odysseus’un d\u00f6n\u00fc\u015f yolculu\u011funu \u00e7a\u011fda\u015f sinema diliyle yeniden yorumlad\u0131\u011f\u0131n\u0131 ifade etti.<\/p>\n
“D\u00dcNYA ODYSSEY’\u0130 KONU\u015eUYOR”<\/span><\/p>\n\u00c7anakkale Turistik Otelciler, \u0130\u015fletmeciler ve Yat\u0131r\u0131mc\u0131lar Derne\u011fi (\u00c7ATOD) Ba\u015fkan\u0131 Nilg\u00fcn G\u00f6kser de Troya Antik Kenti’nin yaln\u0131zca tarihsel miras de\u011fil, ayn\u0131 zamanda uluslararas\u0131 \u00f6l\u00e7ekte g\u00fc\u00e7l\u00fc bir k\u00fclt\u00fcr ve turizm markas\u0131 oldu\u011funu belirtti.<\/p>\n
\u00a0<\/p>\n
“The Odyssey” filminin \u00c7anakkale’nin binlerce y\u0131ll\u0131k tarihini, k\u00fclt\u00fcrel zenginli\u011fini ve turizm potansiyelini d\u00fcnya ile bulu\u015fturmak a\u00e7\u0131s\u0131ndan \u00f6nemli bir f\u0131rsat sundu\u011funun alt\u0131n\u0131 \u00e7izen G\u00f6kser, \u015funlar\u0131 kaydetti:<\/p>\n
\u00a0<\/p>\n
“Bu f\u0131rsat\u0131n kal\u0131c\u0131 bir destinasyon de\u011ferine d\u00f6n\u00fc\u015ft\u00fcr\u00fclmesi i\u00e7in kamu kurumlar\u0131n\u0131n, yerel y\u00f6netimlerin, meslek kurulu\u015flar\u0131n\u0131n ve turizm sekt\u00f6r\u00fcn\u00fcn ortak hedefler do\u011frultusunda e\u015fg\u00fcd\u00fcm i\u00e7inde hareket etmesi b\u00fcy\u00fck \u00f6nem ta\u015f\u0131maktad\u0131r. Bug\u00fcn d\u00fcnya Odyssey’i konu\u015fmaktad\u0131r. Biz ise bu k\u00fcresel ilginin Troya’ya, Troya’n\u0131n kadim yurdu \u00c7anakkale’ye ve bu e\u015fsiz co\u011frafyan\u0131n k\u00fclt\u00fcrel zenginliklerine y\u00f6nelmesini hedefliyoruz.”<\/p>","protected":false},"excerpt":{"rendered":"
Gi\u015fede b\u00fcy\u00fck ba\u015far\u0131 yakalayan Christopher Nolan imzal\u0131 “The Odyssey” filminin Troya Antik Kenti’ne olan ilgiyi art\u0131rmas\u0131 bekleniyor. Y\u0131ll\u0131k ortalama 400 bin yerli ve yabanc\u0131 turistin ziyaret etti\u011fi, Birle\u015fmi\u015f Milletler E\u011fitim, Bilim ve K\u00fclt\u00fcr \u00d6rg\u00fct\u00fcn\u00fcn (UNESCO) D\u00fcnya Miras\u0131 Listesi’nde yer alan Troya Antik Kenti’ne olan ilginin \u00fcnl\u00fc y\u00f6netmen Christopher Nolan’\u0131n, Homeros’un Odysseia destan\u0131ndan uyarlad\u0131\u011f\u0131 vizyondaki sinema …<\/p>","protected":false},"author":1,"featured_media":7236,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pagelayer_contact_templates":[],"_pagelayer_content":"","footnotes":""},"categories":[851],"tags":[],"class_list":["post-7235","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yasam"],"_links":{"self":[{"href":"https:\/\/rdgundem.com\/en\/wp-json\/wp\/v2\/posts\/7235","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rdgundem.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rdgundem.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rdgundem.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rdgundem.com\/en\/wp-json\/wp\/v2\/comments?post=7235"}],"version-history":[{"count":0,"href":"https:\/\/rdgundem.com\/en\/wp-json\/wp\/v2\/posts\/7235\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rdgundem.com\/en\/wp-json\/wp\/v2\/media\/7236"}],"wp:attachment":[{"href":"https:\/\/rdgundem.com\/en\/wp-json\/wp\/v2\/media?parent=7235"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rdgundem.com\/en\/wp-json\/wp\/v2\/categories?post=7235"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rdgundem.com\/en\/wp-json\/wp\/v2\/tags?post=7235"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"D\u00fcnya](\"https:\/\/images.ntv.com.tr\/images\/truva-280882.jpg?width=930&format=webp\")
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