{"id":4573,"date":"2026-07-28T11:23:20","date_gmt":"2026-07-28T11:23:20","guid":{"rendered":"https:\/\/rdgundem.com\/odysseyin-cevirmeninden-christopher-nolana-tepki\/"},"modified":"2026-07-28T11:23:20","modified_gmt":"2026-07-28T11:23:20","slug":"odysseyin-cevirmeninden-christopher-nolana-tepki","status":"publish","type":"post","link":"https:\/\/rdgundem.com\/en\/odysseyin-cevirmeninden-christopher-nolana-tepki\/","title":{"rendered":"Odyssey&#8217;in \u00e7evirmeninden Christopher Nolan&#8217;a tepki"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/images.ntv.com.tr\/images\/452709-813313.jpg?width=930&amp;format=webp\" class=\"type:primaryImage\" alt=\"Odyssey&apos;in \u00e7evirmeninden Christopher Nolan&apos;a tepki\"><\/p>\n<p>Homeros&#8217;un destan\u0131n\u0131 2017 y\u0131l\u0131nda \u0130ngilizceye \u00e7eviren ve \u00e7al\u0131\u015fmas\u0131 Christopher Nolan taraf\u0131ndan \u00f6v\u00fclen filolog Emily Wilson, gi\u015fe rekortmeni Odyssey&#8217;i sert s\u00f6zlerle ele\u015ftirdi. Filmin psikolojik, duygusal, politik ve ahlaki derinlikten yoksun oldu\u011funu belirten Wilson, yap\u0131m\u0131n ikna edici hi\u00e7bir \u015fey s\u00f6yleyemedi\u011fini a\u00e7\u0131klad\u0131.<\/p>\n<p>Homeros&#8217;un Odysseia destan\u0131n\u0131 2017 y\u0131l\u0131nda \u0130ngilizceye \u00e7eviren ve \u00e7al\u0131\u015fmas\u0131 y\u00f6netmen Christopher Nolan taraf\u0131ndan filmin tan\u0131t\u0131m s\u00fcrecinde ilham kayna\u011f\u0131 olarak an\u0131lan klasik \u00e7a\u011f uzman\u0131 Emily Wilson, g\u00f6sterimdeki uyarlamaya y\u00f6nelik a\u011f\u0131r bir ele\u015ftiri kaleme ald\u0131.<\/p>\n<p>\u00a0<\/p>\n<p>Pennsylvania \u00dcniversitesi Klasik \u00c7a\u011f \u00c7al\u0131\u015fmalar\u0131 B\u00f6l\u00fcm Ba\u015fkan\u0131 ve \u00d6\u011fretim \u00dcyesi olan Wilson, London Review of Books dergisindeki <a href=\"https:\/\/www.lrb.co.uk\/the-paper\/v48\/n14\/emily-wilson\/an-uncomplicated-man\">yaz\u0131s\u0131nda<\/a> filmin &#8220;ikna edici hi\u00e7bir \u015fey s\u00f6ylemedi\u011fini&#8221; belirterek yap\u0131m\u0131n &#8220;psikolojik, duygusal, politik ve etik derinlikten yoksun&#8221; oldu\u011funu bildirdi.<\/p>\n<p>\u00a0<\/p>\n<p>Nolan&#8217;\u0131n Homeros temalar\u0131na duydu\u011fu yak\u0131nl\u0131\u011f\u0131n kendisini yeni yarat\u0131c\u0131 zirvelere ta\u015f\u0131yaca\u011f\u0131n\u0131 ve daha inand\u0131r\u0131c\u0131 karakterler yaratmas\u0131n\u0131 sa\u011flayaca\u011f\u0131n\u0131 umdu\u011funu belirten Wilson, <i>&#8220;Ancak <\/i>Odyssey<i>, Nolan&#8217;\u0131n her zamanki g\u00f6rkem ve y\u00fczeysellik birle\u015fimini sergiliyor. Filmin vizyonu \u00e7ok karma\u015f\u0131k, karakterleri ise b\u00fcy\u00fck fikirler vaadini yerine getiremeyecek kadar az geli\u015ftirilmi\u015f; yine de b\u00fcy\u00fck patlamalar\u0131 ve devasa devleri aktarmada \u00e7ok ba\u015far\u0131l\u0131&#8221;<\/i> de\u011ferlendirmesinde bulundu.<\/p>\n<p>\u00a0<\/p>\n<p>Filmin anlat\u0131 yap\u0131s\u0131n\u0131 &#8220;numarac\u0131&#8221; ve senaryosunu &#8220;berbat&#8221; olarak nitelendiren Wilson, ele\u015ftirisini \u015fu s\u00f6zlerle s\u00fcrd\u00fcrd\u00fc:<\/p>\n<p>\u00a0<\/p>\n<p><i>&#8220;Nolan&#8217;\u0131n <\/i>Odyssey&#8217;i<i>, destan\u0131 y\u00fcce k\u0131lan unsurlar\u0131n \u00e7o\u011fundan yoksun. Zaman, haf\u0131za, tarih, sava\u015f ya da bir sava\u015f\u00e7\u0131n\u0131n \u015fanl\u0131 d\u00f6n\u00fc\u015f\u00fc ile ailesinin, d\u00fc\u015fmanlar\u0131n\u0131n, yolda\u015flar\u0131n\u0131n, dostlar\u0131n\u0131n ve kom\u015fular\u0131n\u0131n ya\u015famlar\u0131 aras\u0131ndaki ili\u015fki hakk\u0131nda ikna edici hi\u00e7bir \u015fey s\u00f6ylemiyor. Psikolojik, duygusal, politik ve etik derinli\u011fi bulunmuyor. Anlat\u0131 yap\u0131s\u0131 numarac\u0131. Yaz\u0131m berbat. Karakterlerin hi\u00e7birinin eylemleri veya s\u00f6zleri i\u00e7in ikna edici bir motivasyonu yok. Hi\u00e7 seks sahnesi yok ve t\u00fcm yiyecekler korkun\u00e7 g\u00f6r\u00fcn\u00fcyor.&#8221;<\/i><\/p>\n<p><span>&#8220;BANA \u00d6NEMSEMEM \u0130\u00c7\u0130N H\u0130\u00c7B\u0130R NEDEN VERMED\u0130N\u0130Z&#8221;<\/span><\/p>\n<p>Nolan, Empire dergisine verdi\u011fi m\u00fclakatta ve bas\u0131n turunda, Wilson&#8217;\u0131n \u00e7evirisinin ilk c\u00fcmlesi olan<i> &#8220;Bana karma\u015f\u0131k bir adam\u0131 anlat&#8221; i<\/i>fadesini, Matt Damon taraf\u0131ndan canland\u0131r\u0131lan Odysseus karakterini beyaz perdeye aktar\u0131rken k\u0131lavuz olarak kulland\u0131\u011f\u0131n\u0131 a\u00e7\u0131klam\u0131\u015ft\u0131.<\/p>\n<p>\u00a0<\/p>\n<p>Wilson ise bu referansa de\u011finerek, &#8220;Bu senaryonun herhangi bir b\u00f6l\u00fcm\u00fcn\u00fc yazm\u0131\u015f olmaktan utan\u0131rd\u0131m&#8221; ifadesini kulland\u0131.<\/p>\n<p>\u00a0<\/p>\n<p>Sunday Times dergisine verdi\u011fi s\u00f6yle\u015fide de ele\u015ftirilerini s\u00fcrd\u00fcren Wilson, filmin kendisinde duygusal bir kar\u015f\u0131l\u0131k bulmad\u0131\u011f\u0131n\u0131 vurgulad\u0131.<\/p>\n<p>\u00a0<\/p>\n<p>Wilson, <i>&#8220;Homeros&#8217;un aksine \u00e7ok iyi yaz\u0131lmam\u0131\u015f olmas\u0131yla ilgili bir durum bu. Karakterler Homeros&#8217;un karakterlerindeki derinli\u011fe sahip de\u011fil. &#8216;Bu adam\u0131n kar\u0131s\u0131na d\u00f6n\u00fcp d\u00f6nmemesi ger\u00e7ekten umurumda m\u0131?&#8217; diye hissettim. Bana \u00f6nemsemem i\u00e7in hi\u00e7bir neden vermediniz&#8221;<\/i> dedi.<\/p>\n<p>Yap\u0131m\u0131n sinematik ve edebi niteliklerini ele\u015ftirmekle birlikte Wilson, filmin antik Yunan edebiyat\u0131na ve sinema sekt\u00f6r\u00fcne olan olumlu etkisini kabul etti.<\/p>\n<p>\u00a0<\/p>\n<p>Filmin g\u00f6sterime girmesinin kutlanmas\u0131 gereken bir olay oldu\u011funu belirten Wilson, bu epik yap\u0131m\u0131n izleyicileri sinema salonlar\u0131na geri getirdi\u011fini, kendi \u00e7evirisi dahil Odysseia bask\u0131lar\u0131n\u0131n sat\u0131\u015flar\u0131n\u0131n h\u0131zla artt\u0131\u011f\u0131n\u0131 ve filmin belki de baz\u0131 \u00fcniversite y\u00f6netimlerini edebiyat, dil ve tarih b\u00f6l\u00fcmlerini kapatmaktan vazge\u00e7irebilece\u011fini aktard\u0131.<\/p>\n<p>\u00a0<\/p>\n<p>Wilson, &#8220;Nolan genel okuyucu kitlesine yeniden kitap okutmak i\u00e7in elinden geleni yap\u0131yor ve ben buna minnettar\u0131m&#8221; de\u011ferlendirmesini ekledi.<\/p>\n<p>\u00a0<\/p>\n<p>Wilson&#8217;\u0131n olumsuz de\u011ferlendirmelerine kar\u015f\u0131n, sinema izleyicilerinin filme ilgisi y\u00fcksek seyrediyor.<\/p>\n<p>\u00a0<\/p>\n<p>A\u00e7\u0131l\u0131\u015f hafta sonunda CinemaScore \u00fczerinden &#8220;A&#8221; notu alan yap\u0131m, gi\u015fede y\u0131l\u0131n en b\u00fcy\u00fck ticari ba\u015far\u0131lar\u0131ndan birine d\u00f6n\u00fc\u015ft\u00fc. Film, ABD i\u00e7 pazar\u0131ndaki ikinci hafta sonunda 90 milyon dolar has\u0131lat elde etti.<\/p>","protected":false},"excerpt":{"rendered":"<p>Homeros&#8217;un destan\u0131n\u0131 2017 y\u0131l\u0131nda \u0130ngilizceye \u00e7eviren ve \u00e7al\u0131\u015fmas\u0131 Christopher Nolan taraf\u0131ndan \u00f6v\u00fclen filolog Emily Wilson, gi\u015fe rekortmeni Odyssey&#8217;i sert s\u00f6zlerle ele\u015ftirdi. Filmin psikolojik, duygusal, politik ve ahlaki derinlikten yoksun oldu\u011funu belirten Wilson, yap\u0131m\u0131n ikna edici hi\u00e7bir \u015fey s\u00f6yleyemedi\u011fini a\u00e7\u0131klad\u0131. Homeros&#8217;un Odysseia destan\u0131n\u0131 2017 y\u0131l\u0131nda \u0130ngilizceye \u00e7eviren ve \u00e7al\u0131\u015fmas\u0131 y\u00f6netmen Christopher Nolan taraf\u0131ndan filmin tan\u0131t\u0131m s\u00fcrecinde &hellip;<\/p>","protected":false},"author":1,"featured_media":4574,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pagelayer_contact_templates":[],"_pagelayer_content":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-4573","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gundem"],"_links":{"self":[{"href":"https:\/\/rdgundem.com\/en\/wp-json\/wp\/v2\/posts\/4573","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rdgundem.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rdgundem.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rdgundem.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rdgundem.com\/en\/wp-json\/wp\/v2\/comments?post=4573"}],"version-history":[{"count":0,"href":"https:\/\/rdgundem.com\/en\/wp-json\/wp\/v2\/posts\/4573\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rdgundem.com\/en\/wp-json\/wp\/v2\/media\/4574"}],"wp:attachment":[{"href":"https:\/\/rdgundem.com\/en\/wp-json\/wp\/v2\/media?parent=4573"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rdgundem.com\/en\/wp-json\/wp\/v2\/categories?post=4573"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rdgundem.com\/en\/wp-json\/wp\/v2\/tags?post=4573"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}